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Christian Lara (born January 25, 1939, in Basse-Terre, Guadeloupe, French West Indies) is a Guadeloupean/French film director, writer, cinematographer and producer. Having shot more than twenty feature films in the Caribbean, France, Canada, Africa, he is regarded by many as ''"the Father of French Antilles cinema"''.〔(Christian Lara's bio on Imdb )〕 == Life and career == Christian Lara began his professional career in Paris (France) as a journalist for ''Le Figaro'', a French daily newspaper. As of 1973, he turns film-maker, directing his first movie, ''Jeu de dames'' (en: ''Dames play''), starring Georges de Caunes. That same year, following a then Parisian trend for erotic films, Christian Lara directed ''Les Infidèles'' (en: ''The unfaithfulls''), from a screenplay written by French erotic films director Daniel Daërt (born Jacques Godaert). The two men renewed their collaboration a year after, Lara working as camera operator on Daërt's ninth porn film, ''Cours du soir pour monsieur seul'' (en: ''Night classes for lonely men''). He produced a more personal project with French actor Jacques Weber and new-comer Anne Parillaud: ''Un Amour de sable'' (en: ''Sandy Love''), released in 1976. Aware of the lack of visibility of his fellow Creole people on French movie screens, Lara soon engaged in creating a truly Antillean cinema. In this, he was following the advice legendary cinematographer Ingmar Bergman once gave him, at the time of a three-month stay in Sweden: ''"Only film what you truly know!"''〔Testimony by (Christian Lara ) at the time of the presentation of ''Coco la Fleur, candidate'' for the movies cycle ''«Images des Outre-mer»'' at the Cinémathèque française, in Paris (December 2011).〕 For the first feature of his series of ''Guadeloupean films'', Christian Lara wrote a storyline set during election time in his home island, calling upon Guadeloupean actors Greg Germain (at the time the new star of ''Médecins de nuit'', a French medical drama television series) and Robert Liensol (an experienced movie actor) to star in the film. Overcoming ambient scepticism and the many difficulties attached to its production, ''Coco la Fleur, candidate'' was released on February 14, 1979,〔(Doc-file for ''"Coco la Fleur, candidate"'' on Encyclociné ) 〕 and received acclaim both in continental France and its overseas dependencies. Several movies followed, among them ''Mamito'', the portrayal of a grandmother caught in the social inadequacies of a former French overseas colony that became a full-fledged department of France. Released in 1980, the movie was already raising issues that would be brought up 30 years later during Guadeloupe's 2009 general strike.〔 Christian Lara was deliberately striving to follow in the footsteps of his grandfather, Oruno Lara (1879-1924), who was Guadeloupe's first historian of African descent, in featuring the history of the Caribbean,〔(archive ): Mention of Oruno Lara's work in Negritude by Nick Nesbitt, in. ''geocities.com'', African Writers, March 18, 2001.〕 as is apparent from Christian Lara's subsequent historical feature films. First, in ''Vivre libre ou mourir'' (en: ''Live Free or Die Hard''), Oruno Lara is credited as original screenwriter.〔(Oruno Lara ) on the Internet Movie Database〕 Secondly, Lara himself acknowledges his grandfather's heritage in 1998 when ''Sucre amer'' (en: ''Bittersweet'') is released; and again in 2004, when ''1802, l'Épopée guadeloupéenne'' premiered in France on May 10, the very day of the National Celebration of the Abolition of Slavery. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Christian Lara (film director)」の詳細全文を読む スポンサード リンク
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